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camera obscura A Journal of Feminism and Film Theory RECENT ARTICLES Lisa Cartwright: Women, X-rays,. FILM JOURNAL EAST-WEST FILM JOURNAL A publication emphasizing the cross-cultural. JOURNAL VOLUME10 NUMBER 2 FALL 1993 1 University of Hawaii Press


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Camera Obscura, A Journal of Feminism and Film Theory, n16 Jan 1988 This special issue brings together an editorial, six articles, and three book reviews that focus on the relationship between television and the female audience.


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SeriesCamera Obscura - A Journal of Feminism and Film Theory. 32 Works Popularity 101,212 (21 Members) 51 Books 0 Reviews.. Camera Obscura: A Journal of Feminism and Film Theory / 2: Number Two, Fall 1977 by Sandy and Lyon Janet and Flitterman Bergstrom, El; Camera Obscura, a Journal of Feminism and Film Theory / 6 by Camera Obsscura Collective;


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Since its inception, Camera Obscura has devoted itself to providing innovative feminist perspectives on film, television, and visual media. It consistently combines excellence in scholarship with imaginative presentation and a willingness to lead media studies in new directions.


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The Camera Obscura book series publishes cutting-edge feminist theoretical work on media and culture, extending the scope of Camera Obscura: Feminism, Culture, and Media Studies, the leading journal of feminism and film since 1976.


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Current Issue Volume 38, Number 3 (114) December 1, 2023 View This Issue About the Journal Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies.


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Journal Subscribers ; Librarians ; Prospective Journals ; Licensing and Subsidiary Rights ;. About Camera Obscura: Feminism, Culture, and Media Studies; Editorial Board; Advertising; Skip Nav Destination. Issues.. View article titled, Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image. Open the PDF for in another.


Camera obscura; a journal of feminism and film theory / 29 May 1992 Imaging technologies

Camera Obscura Feminism, Culture, and Media Studies Camera Obscura provides a forum for scholarship and debate on feminism, culture, and media studies.


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A Journal of Feminism and Film Theory Camera Obscura is devoted to the critical study of the representation of women in film, popular culture and media, and the arts and provides up-to-date perspectives on the national and international film scene. EDITORS Julie D'Acci Elisabeth Lyon Constance Penley Sasha Torres Sharon Willis LIFETIME TELEVISION


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and the Vertiginous History of Film Theory. Camera Obscura (2011) 25 (3 (75)): 101-141. Alfred Hitchcock's Vertigo is one of the most acclaimed films of all times, recognized by scores of critics, film theorists, and film historians as a pivotal work in both film history and film theory. By now, Vertigo is so deeply embedded in film theory.


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Camera Obscura is a triannual peer-reviewed academic journal of feminism, culture, and media studies published by Duke University Press. It was established in 1976 [1] by four graduate students at the University of California, Berkeley: Janet Bergstrom, Sandy Flitterman, Elisabeth Lyon, and Constance Penley. [2]


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Camera Obscura: A Journal of Feminism and Film Theory, No. 25-26, January/May 1991 [Sabrina Barton on paranoia in Hitchcock's Strangers on a Train , Alexander Doty on Pee-Wee and the sissy boy, Rey Chow on Chen Kaige, Steven Cohan on masculinity and William Holden; more] on Amazon.com. *FREE* shipping on qualifying offers. Camera Obscura: A.

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